Category: Participants

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Poh Leng Weng (PL Weng)

AT DINACON 2025: Would like to explore and tap into the stories from the community in the form of mixed media photo-journaling. The power of storytelling and narrative expanding to series of potential bilingual/trilingual poetry or songs. If time permits, would also like to share and make simple rudimentary musical instruments together.  

BIO: Self-taught Sci-artist exploring multidisciplinary fields through experiential learning– emphasizing on stories/art/poetry related to themes of gelotogy and dualism. Works appeared in Eksentrika, Dewan Sastera, Dewan Budaya, Majalah Samudera, A.P.O.M. and Burning House Press.

Other works: Peluru Aksara (2020), Rumpun Luhur (2022) and Hijab Everyday Stories of Muslim Women from Singapore and Beyond (2023).

Gear: violin bow, standard drumsticks, magic toolbox & stickers

Dates: July 5 – July 11

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Assia Kraan

Project: Salty drawing is the project Assia will be working on.

Bio: artist and program manager. Punge creates conceptual locative art. Starting from the characteristics of places and the social aspects of how they are used, using low-tech local materials and craftship.

At Dinacon 2025 Punge dives into (locally farmed) salt, bamboo weaving, no-purpose drawing, sensing, haptic perception, magnetism.

Portfolio

  • Flightcatcher Sand Prints & Podcast at artist in residency program National Geographic Explorers (Ivory Coast)
  • Plekkenarchief and Winckel at artist in residency Amsterdam Tussenland (Netherlands)
  • Muziekfiets at music festival In Vervoering in Utrecht (Netherlands)
  • Cuando te sientes… at music festival FVCM in Panama city (Panama)

Present at Bali: 4/6-14/6 2025

Gear: magnets, painting tools, sound recording equipment

Workshop: Bodystorming to design for sensory experience

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Anna Carreras

Dates: 28/6 – 5/7

Will be working on: some generative visuals for kids that can be interactive with a Makey Makey and materials found around

Bio: generative artist and creative coder with some Mediterranean soul

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Jay Bond

Dates: June 23rd—July 22nd (give or take)

Project: Interactive 3D thingy of coral-inspired structures created using signed-distance functions in WGSL/Rust/Bevy!

Jay Facts:

  • Jay is from Ontario, Canada.
  • Jay is a code monkey by day and asleep by night.
  • Jay does not have socials media but is a real person who exists, he swears.

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libi rose striegl

close face shot, libi looks into the camera with a crooked smile. she is white with blue-green eyes and wearing a red hoodie, her brown hair sweeps across her face to the left.

Project (at the moment): Sculptural Solar Radio

Bio

By day, I am the managing director of the Media Archaeology Lab at CU Boulder. The rest of the time I am an artist and researcher, interested in collaborative engagement, performative chaos, archival impermanence and DIY defamiliarization. I am pro complication, imperfection and visibility. In pursuing these things, my media ranges from hardware hacking to hand-crafted zines. I completed my PhD in the Intermedia Arts Writing and Performance program at CU in 2020 with a dissertation titled Voluntary Deconvenience and my MFA in Experimental Documentary Arts at Duke in 2015 with a thesis titled thoroughly known. The former is a series of tech-education workshops geared towards exploration of “convenience” as it relates to technology and its role in the social, economic, political and environmental framework of the present world. The latter is a personal exploration of psychiatric diagnosis, specifically autism, and of the language used in diagnostic texts.

I also make stickers.

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