Pom Prasopsuk

Project: Pom will be working on eco art, a combination of art and environment as concept

Bio: Pom is an eco artist from Thailand who make various kind of works such as sculptures, painting and product design focus mainly in environmental friendly

Here is the Link website to some of her past works
http://remains-of-the-day.com/

Joel Murphy

At Dinacon: I will be bringing some biosensing hardware to record data from Dinasaurs to experiment with the different kinds of vital signs that can be derived from PPG sensors. I am interested in Environmental sensing, and have an idea for a ‘sensor in a bottle’ project for measuring ocean information. I will also be helping to document other Dinasaurs projects.

Bio: Joel made kinetic sculpture for years before he became an electronics design engineer. He taught physical computing at Parsons from 2006 to 2014, and has participated in several successful crowdfunding projects since 2011 when he co-founded World Famous Electronics, makers of the Pulse Sensor: an open source heart rate monitor. In 2014 he co-founded OpenBCI, a company that makes high quality low cost EEG amplifiers for science and education, and was President of the company until 2018. Most recently, he has created and co-developed Tympan, an Open Source hearing-aid development platform. Joel also owns the technology consulting firm, Flywheel Lab. Joel lives and works in Troy, NY.

Kyle Chisholm

At Dinacon: At Dinacon 2025, I’m interested in exploring the development of 3D photogrammetry techniques for mapping coral reefs. I’ll be building workshops related to computer vision, sensors, and motion control. I’m also hoping to extend these topics into exciting art projects!

Bio: Kyle Chisholm is a roboticist and engineer with a passion for human-robot interaction. Currently, he is developing robot arms for medical, industrial, and assistive applications. As a DIY enthusiast and creative maker, he loves to build public art installations and participate in community-driven open source projects. Kyle has actively engaged in STEAM education through initiatives like “Let’s Talk Science,” “FIRST Robotics” and currently serves as a board member at “Radio Snack” in Montreal, Canada. 

Harold Tay

oppo_35

At Dinacon: During Dinacon I’ll make a cargo bike using some of the ideas I’ve worked on while testing some new ideas.  Concurrently, the whole endeavour will also be a hands-on intro to flux core welding, a practical, useful, and overlooked skill to add to your repertoire.

Bio: Formally I’m a mechanical engineer, but I switched to software, then switched again to electronics and robotics, then got into conservation tech, and now after a brief stint making pizza, I’m experimenting with bicycles in an attempt to make cycling more practical and relevant.

Don Undeen

At Dinacon: I plan to bring my musical system WeCanMusic, which makes it easy to turn found materials into silly electronic instruments that play well together. In the spirit of Dinacon I’ll explore how the materiality and life forms of the coastal environment can be met in dialogue with the electronic sensors of WeCanMusic to create a musical experience that blurs the lines between performer, audience, and instrument. It’s my hope that this process will be highly participatory, drawing from local experts and Dinacon attendees alike. I intend to host workshop that demonstrate the system, explore materials, and co-develop creative narratives and interaction models that reflect the experience of existence in Sea Communities. I’d like this process to culminate in a performance/installation that will be documented and shared.

Bio: Don Undeen is an artist, designer, educator, and facilitator working at the intersection of maker culture, collaborative design, sociability, nonsense and messiness. He has built and managed makerspaces at Georgetown University and the Metropolitan Museum of Art, and consulted with the Vatican and museums around the world, helping them imagine new spaces for collaboration with innovative communities. He likes making wireless things that talk to each other.

Scott Kildall

At Dinacon:
(1) Data Sensing Toolkit: this is an architecture that am developing for sensors to stream data into Adafruit IO, for use on the web with the MTTQ protocol. I’ll teach workshops on how to build your own sensors and get started with getting data sent onto the web and how to develop and front-end website that shows how to do this. I imagine that we can do things like sense water quality, plant data and many more things at Dinacon in an effort to share the data from the natural environment.

(2) Solar Boat prototyping:

I will be building a small solar-powered boat (2 feet x 1 foot) equipped with a variety of water sensors, which I will deploying in the sea. I will develop some of parts and prototypes ahead of time — the boat itself should be functional by then, but not the sensorsThe sensors will capture invisible data and transform it into musical soundscapes. This builds upon work that I have done for the last several years around revealing invisible natural phenomena.

Some possibilities for sensors

— a combination aerator and dissolved oxygen sensor. The boat would stir up the pond, creating more oxygen in the water to promote healthy algae growth with the boat capturing live data of pockets of oxygenated water.

— a sonar sensor to capture the measurements of the bottom of the waters, revealing the underwater topography 

— a turbidity sensor that would capture the murkiness of the water at various depths, revealing how aquatic life might navigate the waterways.

— water quality sensors (pH and EC) that sample the water at various points.

The solar-powered boat would include a remote control for steering it as it collects data, as it glides slowly across the surface of the water. Viewers could then listen to the results at various data points of the waterway, learning about the waterways through music. The boat would be a performance vessel and I would improvise the musical arrangements from the data.

Bio: Scott Kildall creates artwork that transforms hidden data from the natural environment, such as water quality, air quality and plant data into sculptural sound installations and performances. He uses custom electronics to create generative, data-driven experiences with uncertain outcomes.

His artwork has been exhibited internationally at venues including the New York Hall of Science, Transmediale, the Venice Biennale, the Vancouver Art Gallery and the San Jose Museum of Art.

He has received fellowships, awards and residencies from the SETI Institute, The Bloedel Reserve, Impakt Works, Autodesk, Recology San Francisco, Joshua Tree National Park, Eyebeam Art + Technology Center and more.

Scott Kildall has been working with art + technology + education for over 15 years.  He currently resides in San Francisco, where he runs a residency program from his home called Xenoform Labs that hosts international new media artists.

Shalaka Jadhav

At Dinacon: In fall 2023, while carrying out research for an exhibition informed by ideas of fermentation as treaty, Shalaka engaged with Astrida Neimanis and Rachel Loewen Walker’s proposition of “thick time”, wherein layers of time stack together, expand and contract. This model encourages a refusal of distinction between the human and non-human world, and instead, embraces an embodied understanding of ourselves as deep archives. Shalaka’s resonance with thick time shaped the exhibition and how their practice unfolds, and in particular, their research re: sound memory, radio methodologies, and considering how conductivity in and around waterbodies may shape answers to the question, “what if we get it right?”

Bio: Shalaka is a writer, researcher, and curator who spent their childhood between cities in India and in Dubai, before moving to a neighbourhood spitting distance from Ontario’s largest mall. Shalaka’s research interests on spatial positionality and critical geographies of grief, public memory, and queer ecologies can be evidenced in exhibitions they have curated in Halifax, Winnipeg, and Toronto. Shalaka has held roles at OCAD and The Blackwood, and is the co-director of Textile, a hyper-local arts collective in Waterloo Region that supports writers and artists through mentorship, publishing, and curation. Shalaka splits their time on Haldimand Tract and Treaty 1 territory and always orders dessert.

Saad Chinoy

greyscale profile photo of Saad Chinoy, by Muaz

BioPlastics and Kombucha SCOBY Leather – experiments in kitchen science.

Fermentation brings people together on a microbial level. Using pro-biotic projects to talk methods, flavour, art, and tech all at once in a hands-on and constructive manner lends itself to a shared understanding of the science and indigenous knowledge of the microbiome through storytelling.

I’ll be working with the DreamSpace team and folks from Sri Lanka to learn about their famed Ceylon Tea and the culture that surrounds it. With hands-on workshops on making Kombucha Starter, SCOBY, and vegan leather I hope to initiate an exchange of stories, recipes, practical ideas, and creative expression. This, together with cooking up bioplastics from rice-starch to address the constantly growing challenge of single-use plastics I hope to use kitchen science and informal education to link awareness, outreach, and solution prototyping through hands-on activity.

With the current economic crisis and a need for revenue from Tourism, I feel an influx of creative and collaborative international travelers offers a sign of positive support. With the Intention of building resilient systems, and helping to build resilience into systems I trust the open-sourced maker / hacker / DIY approach will inspire innovative progress through a “perfect storm” of challenges.

#MakersGonnaMake #WeAreWhatWeCreateTogether
@saadCaffeine
edibleMakerspace.com
salvageGarden.com
spudnikLab.com


Other projects: conversations with Dinasaurs and Dreamspace folks organically lead to many, many “side projects” some of which are documented here because, photos!

DinaCafe / Lounge w Tali and the Dinasaurs
– DIY filters
– Caffeinated contributions
– Lounge / after-dark toddy Shenanigans (Oh My Gourd)

Papaya sap based alternative to CivetCat Coffee w Marc and the BioLab
– see also a side-side-project using papain protease enzyme for vegan cheese w Ahac and BioLab

ShroomMonitor w Cris, Pramo, Brian, and a hacked humidifier
– Introducing Microcontrollers with Arduino and reverse engineering to emulate a touch sensor

BikingHacks w Andy and DreamspaceCollective
– Turning bicycles into horses using Coconuts and laser-cutting inspired by MontyPython and Trotify

Other other projects
– DIY Incubator w BioLab
– ButterChurn jar w 3D printed hand-crank inspired by visit to the museum
– Caffeinator redux – cold brew coffee to keep caffeinated in spite of power cuts

libi rose striegl

close face shot, libi looks into the camera with a crooked smile. she is white with blue-green eyes and wearing a red hoodie, her brown hair sweeps across her face to the left.

Project (at the moment): Sculptural Solar Radio

Bio

By day, I am the managing director of the Media Archaeology Lab at CU Boulder. The rest of the time I am an artist and researcher, interested in collaborative engagement, performative chaos, archival impermanence and DIY defamiliarization. I am pro complication, imperfection and visibility. In pursuing these things, my media ranges from hardware hacking to hand-crafted zines. I completed my PhD in the Intermedia Arts Writing and Performance program at CU in 2020 with a dissertation titled Voluntary Deconvenience and my MFA in Experimental Documentary Arts at Duke in 2015 with a thesis titled thoroughly known. The former is a series of tech-education workshops geared towards exploration of “convenience” as it relates to technology and its role in the social, economic, political and environmental framework of the present world. The latter is a personal exploration of psychiatric diagnosis, specifically autism, and of the language used in diagnostic texts.

I also make stickers.